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THE DEVIL AND FATHER AMORTH

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William Friedkin attends an exorcism with Father Gabriele Amorth, as he treats an Italian woman named Cristina for the ninth time. Prior to filming, Cristina had purportedly been experiencing behavioral changes and “fits” that could not be explained by psychiatry, and which became worse during Christian holidays.

THE DEVIL AND FATHER AMORTH

Details

Country:

USA

Language:

English | Italian

Release Date:

20 April 2018 (USA) See more »

Also Known As:

Дьявол и отец Аморт See more »


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Box Office

Opening Weekend USA:

$8,378, 22 April 2018Limited Release

Gross USA:

$20,449, 24 May 2018

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Company Credits

Production Co:

LD Entertainment See more »

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.78 : 1 / (high definition)

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[All trivia items for this title are spoilers.See more »

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User Reviews

A good director in his prime, not so good by today’s standards

4 August 2018 | by bozstrew – See all my reviews

Friedkin does try his best to make this somewhat credible, I’m not religious in the slightest but went into this with an open mind.

The build up was fun, hearing these accounts from Christina’s family about the horrific things that had happened, oh boy, I’m very interested in when we get to the ‘real’ exorcism, then we find out this is Christina’s 9th lap around the holy field and at that point is where any optimism left me, this is simply religious propaganda. Go to mass and holy ceremonies because this is how you’ll get the devil anGerY, then you’ll know you’re possessed.

The ‘fact’ that Christina has been exorcised 8 times prior to this recording is just an easy way to dismiss the far more extreme symptoms she allegedly had in the previous exorcisms; which leads me to the damn voice. The. Damn. Voice. It’s just post production magic, synthesising the voice, and its blindingly obvious, take a listen back at it and notice how every time Christina’s demonic voice is projected, the room goes silent and even when Amorth is speaking, his voice disappears, but his mouth keeps going. I have a lot of respect for Friedkin and his contribution to modern film, but he was in over his head here, couldn’t even isolate a track in order to keep background noise over the voice.

Tagline:In 1973 he brought us the film classic, The Exorcist. 45 years later, Academy Award-winning director William Friedkin brings us the real thing.
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